Thursday, July 31, 2014

Wednesday, July 30, 2014

porovnání inkoustových foto tiskáren 17" 24"

porovnání inkoustových foto tiskáren 17"  24"   


Printing Series

Printers by



Epson Stylus Pro 3800   A2  17"

Epson Stylus Pro 3880  A2  17"

Epson Stylus Pro 4900  A2  17"

Canon PIXMA PRO-1 A3+
12-ink LUCIA, 4 level black gray inks


Canon ImagePROGRAF iPF5100
  • A2 (17 Inch) Wide Format Printer
  • A2 Glossy Prints in 2mins
  • 12 Colours
  • Droplet Size 4pl per Colour
  • 30,720 Nozzles
  • 2400x1200 dpi Optimised Resolution
  • Borderless Printing
  • Built-in Colour Calibration
  • Networked, USB


Canon imagePrograf iPF610   24"  A1


Canon imagePrograf iPF6400  24"


Epson Stylus Pro 7900   24"


Epson SureColor SC-T3000

Specs: A1 (24 Inch) 

Wide Format Printer,
MicroPiezo TFP Print Head,
2.5in Colour LCD Screen, 2880x1440dpi Resolution, 28 Secs Per A1 Print in Draft Mode, Networked, USB



Epson Stylus Pro 9880     44"


Pravdy a lži o inkoustu
Pravdy a lži inkoust



Leica - The Most Boring Ad Ever Made?

Leica - The Most Boring Ad Ever Made?






The Most Boring Ad Ever Made?

The Most Boring Ad Ever Made? from Leica Camera on Vimeo.





Is this the most boring ad ever made? Not if you appreciate obsessive craftsmanship. Leica Camera spends 45 minutes polishing the new Leica T by hand. Watch for yourself and decide. Boring or not?







The new Leica T Camera System

The new Leica T Camera System from Leica Camera on Vimeo.





Introducing the Leica T Camera System. Watch the uncompromising story behind Leica Camera’s latest innovation and learn why the new Leica T Camera System is easy to use, hard to forget.
















































Adobe Actions

Adobe Actions


PS colors

Photoshop Actions



100+ Premium Actions



GraphicRiver - 100+ Premium actions



CreativeLive - Wedding Photography with Joe Buissink

Extra Bokeh

Extra Bokeh



extra bokeh



Bokeh and Background Blur



myopia hyperopia
Photography by takashi kitajima



Krásně rozmazané Tokio na nové sérii fotek












Nikon D800 Color Space sRGB or Adobe RGB

Nikon D800 Color Space sRGB or Adobe RGB




Although color space does not matter for RAW files, I now use AdobeRGB because it gives a slightly more accurate histogram to determine the correct exposure.
Since the camera shows histogram based on camera-rendered JPEG image, even if you shoot exclusively in RAW.

source





Color Space       
Don't touch this unless you really know what you're doing and print your own work.

sRGB
sRGB is the default. It's the world standard for digital images, printing and the Internet. Use it and you'll get great, accurate colors everywhere, all the time. Like what you see in my Gallery? That's all coming to you in sRGB. Use sRGB and you'll automatically get great, saturated and accurate color everywhere. See Color Management is for Wimpsfor examples.
sRGB is specified in IEC 61966-2.1, which you may also see when examining color profiles. That gobbledygook means the same thing as sRGB.


Adobe RGB
Never use AdobeRGB unless you really know what you're doing and do all your printing yourself. If you use Adobe RGB you'll have to remember to convert back to sRGB for sending your prints out or sharing them on the Internet. Otherwise they look duller than sRGB!
Adobe RGB squeezes colors into a smaller range (makes them duller) before recording them to your file. Special smart software is then needed to expand the colors back to where they should be when opening the file.

If you have the right software to re-expand the colors you theoretically might have a slightly broader range of colors. However, if at any point in the chain you don't have the right software and haven't attached the Adobe RGB profile you'll get the duller colors as recorded instead!
Web browsers don't have, and print labs rarely have, the right software to read Adobe RGB. This is why people who shoot it are so often disappointed. Even if a place has the right software, if you forget to add the Adobe RGB profiles to your files these places still won't read them correctly and you'll get dull colors.

Adobe RGB may be able to represent a slightly larger range of colors, but no screen or print material I've used can show this broader range, so why cause yourself all the trouble? I've experimented with 100% saturated grads in these two color spaces and never seen any broader range from Adobe RGB either on my screen or on SuperGloss Light jet prints.
Worse, if you're the sort of vacuum-operating geek who wants to shoot Adobe RGB because you read about it in a magazine article, did you realize that because the colors are compressed into a smaller range that there is more chroma quantization noise when the file is opened again? Ha!

source and more





















Wednesday, July 23, 2014

Katy Perry - Roar (Lyric Video)

Katy Perry - Roar (Lyric Video)


inspiration video, video inspiration

Katy Perry - Roar (Lyric Video)







Dominika Mirgova - LABUT (Official video)



www.facebook.com/www.mirgovadominika.sk
dM





Ed Sheeran - Give Me Love [Official Video]